The Concert opened with the recent work Felicitous written in 2020 specifically as a concert opener by the composer to “promote a feeling of excitement for the audience”. It certainly achieved that response with the level of applause from the audience. Stand By Me, featured in the 1986 film of the same name, followed. Guest cornetist Clarence Leung, Principal cornet of Waratah Brass, led the band in the jazz standard Skylark, composed in 1941 by Hoagy Carmichael.
As the title of the Concert suggests, the first of the big band era of Glenn Miller numbers “In The Mood” provided a lively beat compared to the wistful Skylark. The Christian Hymn Abide With Me, written in 1847, which we associate mainly with Military Services such as those on ANZAC Day, had a settling effect on the audience, with most of them, no doubt, knowing with words. The ballad Always On My Mind, considered one of Elvis Presley’s standout songs of the early seventies, followed. Everybody Needs Somebody (To Love), from the very popular 1980 comedy hit movie of the same name, livened up the atmosphere.
John Lennon’s best-selling single of his solo career Imagine, in which the lyrics encourage the listener to live in a world on peace, without materialism, provided a gentle contrast. The first half ended with An American Trilogy, a song medley that incudes three 19th century songs – Dixie, Battle Hymn of the Republic and All My Trials. American Trilogy was a show-stopper, popularised by Elvis in his concerts in the early seventies.
Voices, an inspirational number composed in 1995 by the Greek musician and composer Vangelis, opened the second half of the Program. The Stripper, a No.1 hit in its time, followed. This tune became associated with the burlesque art of Stripping, but the Conductor decided that the tune was enjoyable without this addition. A cornet trio of Clarence, Vic and Bob was next to entertain with the Dixieland-style selection A Saint-sational Trio. It was well-received. The ballad Danny Boy, written way back in 1913 and one of the most popular songs of the 20th century, delighted the audience.
The Rolling Stones No.1 hit from 1967, Ruby Tuesday, was quite a contrast to Danny Boy. The highlight of the second half came next. This was a tribute to the era of the Glenn Miller Swing Band with the three numbers The American Patrol, Moonlight Serenade and Tuxedo Junction. These were thoroughly enjoyed by the audience. The Program officially ended with a hymn, written in 1912, which became a country gospel favourite, The Old Rugged Cross.
The Band was acknowledged with sustained applause and, as a gesture of good will played, as an encore, the very lively March – The Stars and Stripes Forever.
This CNL Brass Concert was proudly supported by Lake Macquarie City, which provided financial sponsorship. CNL Brass is grateful for such support by which the Band endeavours to enhance the musical culture of the City.
Allan Shaw
President
CNL Brass
“From Miller to Presley and Everything in Between” Concert: 3rd April, 2022
WARNERS BAY THEATRE
The Concert opened with the recent work Felicitous written in 2020 specifically as a concert opener by the composer to “promote a feeling of excitement for the audience”. It certainly achieved that response with the level of applause from the audience. Stand By Me, featured in the 1986 film of the same name, followed. Guest cornetist Clarence Leung, Principal cornet of Waratah Brass, led the band in the jazz standard Skylark, composed in 1941 by Hoagy Carmichael.
As the title of the Concert suggests, the first of the big band era of Glenn Miller numbers “In The Mood” provided a lively beat compared to the wistful Skylark. The Christian Hymn Abide With Me, written in 1847, which we associate mainly with Military Services such as those on ANZAC Day, had a settling effect on the audience, with most of them, no doubt, knowing with words. The ballad Always On My Mind, considered one of Elvis Presley’s standout songs of the early seventies, followed. Everybody Needs Somebody (To Love), from the very popular 1980 comedy hit movie of the same name, livened up the atmosphere.
John Lennon’s best-selling single of his solo career Imagine, in which the lyrics encourage the listener to live in a world on peace, without materialism, provided a gentle contrast. The first half ended with An American Trilogy, a song medley that incudes three 19th century songs – Dixie, Battle Hymn of the Republic and All My Trials. American Trilogy was a show-stopper, popularised by Elvis in his concerts in the early seventies.
Voices, an inspirational number composed in 1995 by the Greek musician and composer Vangelis, opened the second half of the Program. The Stripper, a No.1 hit in its time, followed. This tune became associated with the burlesque art of Stripping, but the Conductor decided that the tune was enjoyable without this addition. A cornet trio of Clarence, Vic and Bob was next to entertain with the Dixieland-style selection A Saint-sational Trio. It was well-received. The ballad Danny Boy, written way back in 1913 and one of the most popular songs of the 20th century, delighted the audience.
The Rolling Stones No.1 hit from 1967, Ruby Tuesday, was quite a contrast to Danny Boy. The highlight of the second half came next. This was a tribute to the era of the Glenn Miller Swing Band with the three numbers The American Patrol, Moonlight Serenade and Tuxedo Junction. These were thoroughly enjoyed by the audience. The Program officially ended with a hymn, written in 1912, which became a country gospel favourite, The Old Rugged Cross.
The Band was acknowledged with sustained applause and, as a gesture of good will played, as an encore, the very lively March – The Stars and Stripes Forever.
This CNL Brass Concert was proudly supported by Lake Macquarie City, which provided financial sponsorship. CNL Brass is grateful for such support by which the Band endeavours to enhance the musical culture of the City.
Allan Shaw
President
CNL Brass
The Concert opened with the recent work Felicitous written in 2020 specifically as a concert opener by the composer to “promote a feeling of excitement for the audience”. It certainly achieved that response with the level of applause from the audience. Stand By Me, featured in the 1986 film of the same name, followed. Guest cornetist Clarence Leung, Principal cornet of Waratah Brass, led the band in the jazz standard Skylark, composed in 1941 by Hoagy Carmichael.
As the title of the Concert suggests, the first of the big band era of Glenn Miller numbers “In The Mood” provided a lively beat compared to the wistful Skylark. The Christian Hymn Abide With Me, written in 1847, which we associate mainly with Military Services such as those on ANZAC Day, had a settling effect on the audience, with most of them, no doubt, knowing with words. The ballad Always On My Mind, considered one of Elvis Presley’s standout songs of the early seventies, followed. Everybody Needs Somebody (To Love), from the very popular 1980 comedy hit movie of the same name, livened up the atmosphere.
John Lennon’s best-selling single of his solo career Imagine, in which the lyrics encourage the listener to live in a world on peace, without materialism, provided a gentle contrast. The first half ended with An American Trilogy, a song medley that incudes three 19th century songs – Dixie, Battle Hymn of the Republic and All My Trials. American Trilogy was a show-stopper, popularised by Elvis in his concerts in the early seventies.
Voices, an inspirational number composed in 1995 by the Greek musician and composer Vangelis, opened the second half of the Program. The Stripper, a No.1 hit in its time, followed. This tune became associated with the burlesque art of Stripping, but the Conductor decided that the tune was enjoyable without this addition. A cornet trio of Clarence, Vic and Bob was next to entertain with the Dixieland-style selection A Saint-sational Trio. It was well-received. The ballad Danny Boy, written way back in 1913 and one of the most popular songs of the 20th century, delighted the audience.
The Rolling Stones No.1 hit from 1967, Ruby Tuesday, was quite a contrast to Danny Boy. The highlight of the second half came next. This was a tribute to the era of the Glenn Miller Swing Band with the three numbers The American Patrol, Moonlight Serenade and Tuxedo Junction. These were thoroughly enjoyed by the audience. The Program officially ended with a hymn, written in 1912, which became a country gospel favourite, The Old Rugged Cross.
The Band was acknowledged with sustained applause and, as a gesture of good will played, as an encore, the very lively March – The Stars and Stripes Forever.
This CNL Brass Concert was proudly supported by Lake Macquarie City, which provided financial sponsorship. CNL Brass is grateful for such support by which the Band endeavours to enhance the musical culture of the City.
Allan Shaw
President
CNL Brass
Cardiff Brass 
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